Dull Books, Dull Boys and Girls

“You appear to have absconded with my keys, Mother,” my daughter said. “Oh, no! I’m so sorry.” And I was sorry about it, even as I was delighted in a child who says, “You appear to have absconded,” rather than, “Hey! You took my keys!”

It pays to homeschool, especially when you have a literary approach. That is, approach the teaching of spelling, speaking, writing, and thinking via literature. Put excellent books in every nook and cranny. Read to them and with them. Read books they recommend. Talk about it: What was your favorite part? Do you agree with the author’s worldview? Are there plot holes? If you re-wrote the story, what would you change? If this book were to be a movie, who would you cast as the villian?

DO NOT read below their level. One of the best parts of any book is a new word. Beatrix Potter’s use of “soporific” is a great example. Don’t go into Mr McGregor’s garden: your father had an accident there, he was put into a pie by Mrs McGregor. It is said that the effect of eating too muclettuce is ‘soporific‘.

Perhaps he shouldn’t have been absconding with other people’s property, eh?

Phyllis McGinley, in the treasure of a book, Sixpence in Her Shoe, wrote, “If I had time and courage enough, I’d write a children’s book stuck plum-pudding rich with great jawbreakers of words,” and, “I am certain that children, left to themselves, would prefer a rattling good story . . . to the handsomest volume in the world which brings no glory to their dreams or quickening to their pulses.” She continues, “They are a braver generation than we suppose. So they deserve brave books. They deserve the best that men and women of wit and talent can write for them.”

And they deserve parents who will read to and with them. Books with big stories, big wonders, big ideas, big words.

How About a REAL Romance!

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They’re the books my junior high principal used to entice non-reading boys, and they worked like nothing else.  They’re the books beginning with cliffhanger action, getting more exciting with each page, and ending satisfactorily every time (the boy and the girl have an understanding).  They’re Jubal Sackett, Sitka, Last of the Breed, and SackettThat’s right, they’re Louis L’Amour westerns (well, a few of his books, including Last of the Breed, aren’t westerns, but they’re still great books).

By “great” I mean, for starters, they have heroes worth remembering.  I remember, for instance, the Sacketts.  There are certain arroyos, canyons, and long vistas that take me back to a reading moment, and I say, “Look, I think Tell Sackett’s down there in that gulch.”  And there’s no doubt he’s about to do the right thing.  Not the easy thing, but the right thing.

So, no, these books aren’t Putlizer winners, they don’t have endorsements on the back telling us how “poignant” they are.  We won’t impress our “intellectual” acquaintances by stacking them about our living room.  And if we do try stacking them, they won’t remain stacked as do all the “right” books and the “must-reads”.  Rather, they will be read!

Every freeschooled bookwyrm has turn-on books.  Hannah, for instance, began her love affair with books by reading The Lion, the Witch, and the Wardrobe and The Secret GardenHer only Louis L’Amour book was The Last of the Breed.  Our other three bookwyrms have read, as have their parents, every Louis L’Amour (as far as we know) more than once.  Of course, bookwyms read almost all genres–anything and everything worthwhile, and some books not so worthwhile.

“Not so worthwhile” includes many recommended books, best sellers, and “must-reads” which are missing at least one of those main ingredients–worthy characters, an interesting plot, and a satisfactory ending.

Let’s stop worrying about what other people say we “should” read and let’s please ourselves with books that deliver.  Like say, a real romance.  Say, maybe, a Louis L’Amour.